Christoph Pregardien, Ensemble Kontraste – Wanderer: Songs by Schumann, Killmayer & Mahler (2011) DSF DSD64

Christoph Pregardien, Ensemble Kontraste – Wanderer: Songs by Schumann, Killmayer & Mahler (2011)
DSF Stereo DSD64/2.82MHz  | Time – 01:06:53 minutes | 2,64 GB | Genre: Classical
Source: ISO SACD | © Challenge Records / Northstar Recordings | Booklet, Front Cover
Recorded: Galaxy Studios, Mol, Belgium, 14-18 September 2010

Not even our contemporary inclination towards ‘authenticity’ and ‘loyalty to the composer’s intentions’ has been able to stop the trend of adapting scores for a different instrumentation than what the composer originally had in mind. The rapidly growing number of smallish ensembles with combinations of instruments for which very little music is available has even proved to be an added incentive in this direction, leading towards a new development within classical music. Not infrequently, a particular interest is shown in lieder which were originally written for solo voice with piano accompaniment. Sometimes the composers themselves put a small instrumental ensemble or even a complete symphony orchestra in the place of the original piano part, but it is not unusual for others to undertake this task.
One of the composers who adapted a piano score for a complete orchestra was Gustav Mahler (1860-1911), and the orchestration for his Lieder eines fahrenden Gesellen (Songs of a Wayfarer, written in 1883-1885) followed the piano version so quickly that the very first performance in 1886 immediately featured the orchestra. In 1920, Arnold Schoenberg created a new version for flute, clarinet, harmonium, piano, string quintet and percussion, and this instrumentation was taken by the ensemble KONTRASTE as the starting point for a project called Wanderer, in collaboration with the tenor Christoph Prégardien. It revolves around Mahler’s Lieder eines fahrenden Gesellen as well as sixteen lieder by Robert Schumann, which were arranged for this project by Marcus Reiβenberger. The idea was to retain the liveliness heard in the piano accompaniment while at the same time creating an instrumental colour palette that far surpassed it. A sort of intermezzo is formed by four lieder by contemporary composer Wilhelm Killmayer, who wrote his own instrumentation to fit in with the idiom used in the lieder of Mahler and Schumann. (from the linernotes written by Paul Korenhof)


Robert Schumann (1810-1856)
Arrangements for small ensemble by Marcus Maria Reißenberger
[1] Frühlingsfahrt op. 45,2 (1840) 2:46
[2] Eintritt op. 82,1 (Waldszenen) instrumental 2:11
[3] In der Fremde op. 39,8 (1840) (from Liederkreis op. 39) 1:15
[4] Waldesgespräch op. 39,3 (1840) (from Liederkreis op. 39) 2:05
[5] Mondnacht op. 39,5 (1840) (from Liederkreis op. 39) 3:57
[6] Einsame Blumen op. 82 (Waldszenen) instrumental 2:05
[7] Trost im Gesang op. 142,1 1:56
[8] Sehnsucht nach der Waldgegend op. 35,5 (1840) 2:10
[9] Wanderung op. 35,7 (1840) 1:18
[10] Herberge op. 82 (Waldszenen) instrumental 2:33
[11] Es leuchtet meine Liebe op. 127,3 1:23
[12] Dein Angesicht op. 127,2 (1840) 1:53
[13] Lehn Deine Wang op. 142,2 (1840) 0:44
[14] Mein Wagen rollet langsam op. 142,4 (1840) 2:52
[15] Abschied op. 82 (Waldszenen) instrumental 2:32
[16] „Der Dichter spricht“ (Kinderszenen op. 15) 1:45
Wilhelm Killmayer (b.1927)
Arrangements for small ensemble by the composer
Four songs from “Hölderlin-Lieder II”
[17] In lieblicher Bläue 10:04
[18] Der Mensch 2:12
[19] Wie Wolken 1:33
[20] Griechenland 3:27

Gustav Mahler (1860-1911)
Arrangements for small ensemble by Arnold Schönberg
Lieder eines fahrenden Gesellen
[21] Wenn mein Schatz Hochzeit macht (1883-85) 3:35
[22] Ging heut morgen übers Feld (1883-85) 4:18
[23] Ich hab’ ein glühend Messer (1883-85) 2:53
[24] Die zwei blauen Augen von meinem Schatz (1883-85) 5:10

Christoph Prégardien tenor
Ensemble Kontraste:
Anke Trautmann flute
Günter Voit clarinet
Annedore Oberborbeck violin
Mathias Bock violin
Andreas Ticozzi viola
Cornelius Bönsch violoncello
Ruben Hoppe double bass
Stefan Danhof piano
Gunther Rost harmonium
Christian Wissel percussion


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