Artur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner – Brahms: Piano concerto No. 1 (1955/2005) SACD ISO + Hi-Res FLAC

Artur Rubinstein, Chicago Symphony Orchestra, Fritz Reiner – Brahms: Piano concerto No. 1 (1955/2005)
SACD ISO (2.0): 765 MB | 24B/88,2kHz Stereo FLAC: 840 MB | Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal “Living Stereo” # 82876-66378-2 RE1 | Country/Year: US 2005, 1955
Genre: Classical | Style: Romantic

Artur Rubinstein’s elegant 1954 recording of Brahms’ Piano Concerto No. 1 in D minor with Fritz Reiner & the Chicago Symphony Orchestra is a bona fide classic from the earliest days of stereo; this sumptuous album has been available for decades & has earned a permanent place in RCA’s catalog. It reappears here in the SACD format & sounds cleaner & more detailed than ever before; yet the advanced technology only goes so far & this disc may disappoint audiophiles. Because RCA has carefully preserved its Living Stereo master tapes, it is relatively easy to reproduce them through DSD & render a terrific ADD version. However, the original 2-channel tracks have not been altered for multichannel systems, so the sound comes only from the front channels on the left & right. In essence, this is glorified stereo with remarkable presence — one feels quite close to Rubinstein, & the CSO seems only feet away — but there is no additional surround sound depth. For the sake of authenticity, this is just as well, & Rubinstein & Reiner at least are not misrepresented through creative engineering. One may regret, however, that this SACD has no bonus tracks & find that it offers less value than other titles in the line.


1 Maestoso 21:40
2 Adagio 13:18
3 Rondo: Allegro Non Troppo 11:22

Apparently the first-ever release of this 1950s classic in RCA’s Living Stereo CD (and now SACD) reissue series, this collaboration between Artur Rubenstein and Fritz Reiner has all of the fire AND sparkle demanded by the more angst-ridden of Brahms’ two piano concerti. Here and there the recording shows its age, but the magnificence of the music-making here transcends any minor sonic limitations.



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