Claudio Abbado, Chamber Orchestra Of Europe – Mozart: Don Giovanni (1998) [Reissue 2004] MCH SACD ISO + Hi-Res FLAC

Claudio Abbado, Chamber Orchestra Of Europe – Mozart: Don Giovanni (1998) [Reissue 2004]
PS3 Rip | 3x SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 165:23 minutes | Front/Rear cover | 11,7 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear cover | 2,99 GB
Features Stereo and Multichannel Surround Sound | Deutsche Grammophon # 474996-2

Arguably the greatest opera ever written, the Mozart/Da Ponte depiction of the last twenty-four hours of the legendary libertine is performed here in the standard version combining the two versions Mozart prepared. Abbado offers modern instruments with certain nods to period performance practice–many appoggiaturas, comparatively fleet tempos, and some modest ornamentation.

This new Don Giovanni with Claudio Abbado conducting the Chamber Orchestra of Europe is Abbado’s second recording of a Mozart opera for Deutsche Grammophon. It was made in Ferrara in conjunction with performances of the opera early in 1997 with the Chamber Orchestra of Europe. The cast features Bryn Terfel in one of his most famous stage roles as Leporello, singing alongside the young British baritone Simon Keenlyside as Don Giovanni. Terfel made his role debut as Leporello in the Patrice Chereau production of the opera in Salzburg. The Welsh singer’s performances of Leporello, together with Figaro, have been repeated highlights of the Salzburg Festival since then. No single adjective can encapsulate the power of Terfel’s stage presence in these roles. In addition to perfect singing and impeccable Italian in the recitatives, he brings the role of Leporello an ambiguous and sometimes menacing energy which threatens to subvert the traditional presuppositions of the master-servant relation.

The cast is stronger on the male side but there are no weak links. The three baritones are especially strong. Keenlyside offers a sexy, dangerous Don. Terfel, completing his traversal of the three baritone roles, is a saturnine, bitter Leporello while D’Arcangelo is a Masetto to be reckoned with. Heilmann offers a sweet-toned Ottavio who nevertheless cannot manage the famous run without a breath. Salminen is a cavernous Commendatore. The women reverse the usual casting of Anna and Elvira, with Anna possessing the lighter voice. Isokowski is a powerful Elvira, a woman to be taken very seriously. Once the ear adjusts to the lack of steel, Reminfio is a fine Anna, like Callas and Moser phrasing the reprise of “Non mi dir” in a single span. Pace is a conventional Zerlina countering the recent trend to cast her as a mezzo.

Tracklist:

Disc 1:
01. Ouvertura
02. (No. 1 Introduzione) Notte E Giorno Faticar
03. (Recitativo) Leporello, Ove Sei?
04. (Recitativo) Ah! Del Padre In Periglio
05. Fuggi, Crudele, Fuggi!
06. (Recitativo) Orsù, Spicciati Presto
07. (No. 3 Aria) Ah! Chi Mi Dice Mai
08. (Recitativo) Chi è Là? / Stelle! Che Vedo!
09. (No. 4 Aria) Madamina, Il Catalogo È Questo
10. (Recitativo) In Questa Forma, Dunque
11. (No. 5 Coro) Giovinette Che Fate All’amore
12. (Recitativo) Manco Male È Partita
13. (No. 6 Aria) Ho Capito, Signor Sì
14. (Recitativo) Alfin Siam Liberati
15. (No. 7 Duettino) Là Ci Darem La Mano
16. (Recitativo) Fermati, Scellerato
17. (No. 8 Aria) Ah, Fuggi Il Traditor
18. (Recitativo) Mi Par Ch’Oggi Il Demonio Si Diverta
19. (No. 9 Quartetto) Non Ti Fidar, O Misera
20. (Recitativo) Povera Sventurata!
21. (No. 10 Recitativo Accompagnato Ed Aria) Don Ottavio, Son Morta!
22. Or Sai Chi L’Onore
23. (Recitativo) Come Mai Creder Deggio
24. (No. 10a Aria) Dalla Sua Pace

Disc 2:
01. (Recitativo) Io Deggio Ad Ogni Patto
02. (No. 11 Aria) Fin Ch’Han Dal Vino
03. (Recitativo) Masetto: Senti Un Po’!
04. (No. 12 Aria) Batti, Batti, O Bel Masetto
05. (Recitativo) Guarda Un Po’
06. (No. 13 Finale) Presto Presto Pria Ch’Ei Venga
07. Tra Quest’Arbori Celata
08. Bisogna Aver Coraggio
09. Riposate, Vezzose Ragazze!
10. (No. 14 Duetto) Eh Via, Buffone
11. (Recitativo) Leporello / Signore
12. (No. 15 Terzetto) Ah! Taci, Ingiusto Core
13. (Recitativo) Amico, Che Ti Par?
14. (No. 16 Canzonetta) Deh, Vieni Alla Finestra
15. (Recitativo) V’è Gente Alla Finestra
16. (No. 17 Aria) Metà Di Voi Qua Vadano
17. (Recitativo) Zitto! Lascia Ch’Io Senta
18. (No. 18 Aria) Vedrai, Carino
19. (Recitativo) Di Molte Faci Il Lume
20. (No. 19 Sestetto) Sola, Sola, In Buio Loco
21. (Recitativo) Dunque Quello Sei Tu
22. (No. 20 Aria) Ah, Pietà, Signori Miei
23. (Recitativo) Ferma, Perfido, Ferma
24. (No. 21a Aria) Il Mio Tesoro Intanto

Disc 3:
01. (No. 21b Recitativo Accompagnato ed Aria) In Quali Eccessi, O Numi
02. Mi Tradì Quell’Alma Ingrata
03. (Recitativo) Ah, Ah, Ah, Ah, Questa È Buona
04. (No. 22 Duetto) O Statua Gentilissima
05. (Recitativo) Calmatevi, Idol Mio
06. (No. 23 Recitativo Accompagnato e Rondo) Crudele! – Ah No, Mio Bene!
07. Non Mi Dir, Bell’Idol Mio
08. (Recitativo) Ah, Si Segua Il Suo Passo
09. (No. 24 Finale) Già La Mensa È Preparata
10. L’Ultima Prova Dell’Amor Mio
11. Don Giovanni, A Cenar Teco M’Invitasti
12. Ah! Dove È Il Perfido

Personnel:
Don Giovanni: Simon Keenlyside (Baritone)
Donna Anna: Carmela Remigio (Soprano)
Donna Elvira: Soile Isokoski (Soprano)
Zerlina: Patrizia Pace (Soprano)
Don Ottavio: Uwe Heilmann (Tenor)
Leporello: Bryn Terfel (Baritone)
Masetto: Ildebrando d’Arcangelo (Bass)
Commendatore: Matti Salminen (Tenor)
+
Ferrara Musica Chorus
Chamber Orchestra of Europe
Claudio Abbado: Conductor

Note:
Recorded January/February 1997 at the Teatro Communale, Ferrara.

SACD ISO

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