Stan Getz, Joao Gilberto feat. Antonio Carlos Jobim – Getz/Gilberto (1964/2011)
DSD64 (.dsf) 1 bit/2,82 MHz | Time – 00:33:50 minutes | 1,34 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: AcousticSounds | Front Cover | © Verve Music
Recorded: March 18–19, 1963 at A&R Recording Studios, New York City
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
The original master tapes for this title had not been used since 1980 previous to this reissue. Also, for this Analogue Productions reissue the decision was made to master and present this album as it was originally mixed to master tape. With very few exceptions all versions of this title to date, including the original, have had the channels incorrectly reversed. With this version, you’ll hear this title as it was intended to be heard, without the channels reversed. And again, those reissues you’ve heard up until now – definitely still breathy, warm and rich – were made from something less than the master. Prepare to hear the veil removed
Astrud Gilberto says that her husband, Joao, informed Stan Getz that she “could sing at the recording.” Creed Taylor recalls that it took Getz’s wife, Monica, to get both Astrud and Joao into the recording studio; Mrs. Getz had a sense that Astrud could make a hit. And Getz himself is on record saying that he insisted on Astrud’s presence over the others’ objections. So who’s right? What does it matter? The Gilbertos, Getz and the legendary Antonio Carlos Jobim followed up the bossa nova success of Jazz Samba with this, the defining LP of the genre. With one of the greatest hit singles jazz has ever known – each one who hears it goes “Ahhh!”
One of the biggest-selling jazz albums of all time, not to mention bossa nova’s finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova’s greatest innovators — guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim — to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history — “The Girl From Ipanema,” a Jobim classic sung by João’s wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre — “Corcovado” (which featured another vocal by Astrud), “So Danço Samba,” “O Grande Amor,” a new version of “Desafinado.” With such uniformly brilliant material, it’s no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that’s arguably the fullest expression of bossa nova’s dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it’s one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential. ~~ AllMusic Review by Steve Huey
Tracklist:
1 The Girl From Ipanema 5:22
2 Doralice 2:43
3 Para Machuchar Meu Coração 5:04
4 Desafinado 4:11
5 Corcovado 4:13
6 Só Danço Samba 3:42
7 O Grande Amor 5:24
8 Vivo Sonhando 2:52
Personnel:
Stan Getz, tenor sax
João Gilberto, guitar, vocals
Antônio Carlos Jobim, piano
Sebastião Neto, bass
Milton Banana, drums
Astrud Gilberto, vocals
DSF
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